#ive been practicing for a long time now its about time to redraw this!!

[secondary-colorentimy]

and THATS on always knowing what kind of artist i wanted to be ‼️🗣

thats on dropping everything about 3 years ago to draw nothing but sonic, thats on making kid me proud, THATS on deciding to draw what makes me happy !!!!

[ryemackerel]

HALLO i was wondering how you get out of art block?? your art is very expressive and i absolutely adore all your colour choices and designs. ive been having trouble with art block for a very long time now so i’m just trying to ask other artists how they get outta it <3 i hope u have a niceday yesyes

OUGHH HELLO!!! holy crap, art block is the WORST. everytime i encounter it, its always hard to beat it D: theres days where i feel like i WANT to draw something so badly but my brain just. cant function

i dont have a definitive solution for art block, but whenever i do, i have a few ways to cope with it. sometimes they work, sometimes they dont? but whenever the time comes and im just sitting at a brick wall, i got some survival tips

1. come up with random silly ideas,, it could be anything: random words, phrases, scenarios. they can be as nonsensical as you want them to be. during art blocks, my mind is completely dry with ideas, so i always try to compile a list of ideas from the past so i can come back to them later on. i try to come up with random duos or something as simple as “mcdonalds date”. i might not work on these now, but maybe some random lil word can spark that creativity in me

heres my art ideas list… i have some ideas that are like 8 months old in there BGAHSGA, but i save em there till i feel like working on them

2. STRUGGLE DOODLES!! i like to make a bunch of doodles of random scenes that i think about in my head. doodle practically anything. your favorite person, favorite animal, something you see outside your window, frogs?

heres a few of mine. most of the time, i NEVER get to finishing them. however, during art blocks sometimes i like to go back to really old, incomplete guidelines and add some new, random addition to it. sometimes i forget what my sketches were exactly meant to be? and i guess thats the fun about interpreting stuff and giving things a new spin to them. during art blocks, i HATE trying to come up with new drawings from a blank canvas (since i dont even have any ideas to begin with). but working on old wips, or completely revising them? sometimes these can be super fun :]

[and bonus tip!! and this is like, a golden tip that everyone loves: going back to super old drawings and redrawing them!! its my favorite. i absolutely love seeing the improvement ive made over the years. its also pretty easy to work with since you dont have to stress about coming up with completely new ideas from a blank slate! GAHH i should do that more often.]

3. search up your favorite fanart, go on pinterest, anything. i love this one.

search up some really cool photos of outfits, aesthetic backgrounds?? i find myself searching up a lot of fanart of fandoms im in, any word with “aesthetic” at the end, casino aesthetic, anything! pinterest has always been my go-to platform to find ideas. i go on the app and not even a second in, im blown with all of this cool art n character designs. i have a problem saving almost everything i find into my boards, but at least i saved a chock-full of ideas i can work with. :)

a thing about me: ive never been the type to try and force my art block out. whenever im facing a block, its extremely difficult for me to come up with things on my own. sometimes i let it wait for a while, but that tends to take a REALLY long time. D: if i dont feel like drawing, or doodling, or really doing anything? i always like scrolling through really pretty photos. that tends to spark a small idea in me i can work with, and sometimes i manage to get out of art block from there. it starts out small, then over time it gets even better.

these photos especially gave me WAY more motivation than i ever had to draw wilbur during an art block moment. i started off making small random doodles of him in a neon city and over time it kinda turned into a fixation for neon cities. i LOVE imagining characters in random photos i find on pinterest.

wishing you the bestest in your art journey!! this crap’s tough but i know you can break it yo. thank you so much for the ask!

feel free to reblog and add your own ideas below :] i was only able to come up with a few, but if youd like to add on, go right ahead! /noforce

[xuune]

Hi! I've been following you for a while (don't really remember why or when) and I love your art! I just wanted to ask:

What's your favorite and least favorite part of animation?

oh cool! thanks for sticking around for so long :) honestly, if you've been following me for some time now it might've been either bc of my fanart, oc art, or both haha

thats a big question which prompts for a big answer so here's me rambling about it below B)

when asking fave/least fave things abt animation, its hard to answer without getting in depth on a variety of things LOL. animation, as a medium and field, is very nuanced with its own concentrations so its kind of a disservice to not recognize those areas esp when the skills u learn have a lot of overlap on how it improves other areas of study

i had practice in some 2D/3D ani, storyboarding, visdev, 3D modelling. here's my general experience with all of those:

2D

fave: figuring out how movement is created, rough animation stage, analyzing and figuring out timing/spacing, esp love the fact that you are creating motion, not pretty illustrations to gawk at, seeing the entire ani come together at the end feels very rewarding

least: cleanup and colors lol, feels very time consuming. if im gonna spend time making lines clean, id rather do that with an illustration piece

3D (in maya)

fave: can rely on the program to do the heavy lifting while you do the keys and adjustments, doing 3d actually enhanced my understanding of how the body moves in motion and space and where drag, follow thru, overshoot could be applied in both 2d/3d

least: i dont get to draw :( majority of my experience in the adjustment process is looking at a mass nebula of graphs and figuring out where i fucked up or smoothing out areas and fixing it. prefer 2d since i can just redraw what looks wrong vs scavenging thru multiple graphs. also modelling the key poses can feel like it takes forever vs drawing it

storyboarding

fave: creating strong, key story beats, keeping drawings rough when possible, shorthanding drawings, researching reference for shot compositions + studying them

least: can be very hard figuring out how to fill in the gaps between certain beats, easy to become uninspired/uncertain abt a sequence drawn

visdev

fave: seeing the final piece come together, figuring out composition, blocking in values/shapes, character design, research phase/looking for references and creating moodboards

least: i hate doing backgrounds lol. complexity affects how much i'll end up dreading it. personally not a fan of working on pieces for very long. im also not a fan of constantly doing paintings/bgs as a job

3d modelling (in maya)

fave: painting the model and texturing it, uv mapping and arranging it

least: the modelling part. fuck up 1 part and you fuck up the rest, you'd have to restart from square 1 or be lucky enough that you had a previous save before the fuck up. a proper process matters a lot in saving yourself the pain and headache from fixing everything (i redid a model that i worked on for 3 wks 4 times bc of my fuck ups)

overall, as a field of study

fave: its fun getting surrounded by others who can talk the same language as you do. ive always wanted to be around people who can get as hyped up and excited over discussing and analyzing story and animation, since i didnt have that with some of my other friends or family members. i've also been able to build proficiency in variety of programs too, which is useful. working in a team project is fun if you've got the right kind of ppl and that makes the experience fun when you the project finished. i've worked on various short films for rough animation, and i always love seeing the final film/composited shot and going "i worked on that part!! look at how nice it turned out with the rest of it! whoever did the [cleans/colors/compositing] did so good!!" i think my biggest satisfaction in this field is understanding the why and how something works (i.e. why/how does this animation effectively sell its movement? what makes these boards convey strong story moments? what about this composition is so appealing? why does this story beat matter to the rest of it? why do i/what makes me care about these characters?) it can easily deter people, but this field's a huge time commitment and youre constantly evolving your own craft. it doesnt come easy to everyone, but when you start seeing your own mileage, it feels very rewarding and pays off

least: industry's hard to get into lol, its kinda like that no matter where you go and once youre graduated, the time you spend in limbo is primarily working on your portfolio and catering to studios you wanna get into. its also easy to get the impression that being a "somebody" and maintaining a reputation matters to just increase your chances and connections of getting a job. that shits hard to deal with when youre not the most extroverted person on the planet, and even if your classmates do know you, are you gonna be the one that they end up talking about constantly or regarded highly a lot? names spread within circles, and it can feel like a competition to just get yourself known. its very easy to beat yourself up over seeing other people's work too. we're desperate, we're starving, we want our work to be acknowledged and validated, we want a job that satisfies our creative needs.

this field is incredibly demanding and its more than just having fun and drawing pretty pictures when much of it is a collaborative effort for a project. the disciplines you learn will majority of the time, without a doubt, will be applied for a larger team. at the same time, what you learn has overlap into other areas too which is always fun when you have this moment of "holy shit, i get it now"

[int3rn3tp1x13]

omg.. times goes by.. UPDATESL OLZ

WOOP WOOP SUMMERS HERE BABY!!!

mini school rant(bleh) its been pretty great! i hate school so much, felt like i was going to implode any second!! I still have things to worry abt school wise but honestly, i dont think i care anymore. its summer and im gonna have fun :) RANT OVER

OMG OMG OM- so much fnaf news!!! movie!dlc!vr! eeee im literally so excited for all of it!!! and MERCH!!! i love spending money, i literally preordered the new sun&moon figures on amazon (i hope they come lol) ive already seen ppl getting theirs but i have to wait until next month to get mine :(

also update to my last post: i got fired from shca lol, which is like totally understandable. i was pretty offline for some time but it was fun! might try to be a medic again but who knows.

ALSO NEW OBBESSSINO!!!!!!!!!!!!! SPIDEEVERSE!! which im pretty sure is most ppls obsession rn. the movie was absolute amaazingness!!! BUT MY OBSESSION MOSTLY LIES WITHIN THE SPOT!!!!!!!!!!! hes my dream guy..my little meow meow omg hes literally my type.. >//< - but cringe aside his character is so cool man. understanbly the next movie is gonna take awhile to come out (jeez im probably gonna be 18 by the time it comes out..) im willing to wait ofc but i dunno if my obsession with the spot will last that long, (NO ILL LOVE HIM FOREVER!!!!!!!!(lets see if thats still true 2 months from now</3) i believe in myself, sorta..

ee well art wise i think im getting better? eh ive been a bit unhappy with my art lately, i just dont think its interesting or all that pretty.. so im gonna try my hardest to improve!! though, when doing a redraw of one of my drawings from around 2021, i saw a HUGE improvement. which honestly,, made me feel better about my art. i guess its true that it can be hard to see improvement in urself unless you really compare!!! or something like that but yeah!!! keep practicing!! its advice that always rings true for the most part :)

ALSO YEAH!! another notable obsession, needy streamer overload!!!!!!!!!!!!!! KANGEL 4 LIFE....i almost got all the achievements!!! i just need two :3

i dont i missed anything else?? but yeah, life is pretty nice. its a bit lonely but who cares >o<

bye bye

[mrfutureboy]

:c

[arcticdementor]

In September of 2020, I published a book entitled The Stakes. It was billed as a “current events” or election-year title. The election behind us, the candidate I recommended is no longer president. But the analysis which led me to that recommendation is very much still “current.”

To recap briefly (but read the whole thing!), the book explains how every prominent and powerful American institution, including the federal government, has been taken over by a hostile elite who use their vast powers to attack, despoil, and insult about half the nation. In the sixth chapter (excerpted here), I outline what I think America will look like if the present ruling class refuses to moderate, cannot be forced to share power, and has the wherewithal to keep its regime going. In the seventh chapter, I sketch several possibilities—from secession to Caesarism to collapse—that might result if it turns out that our overlords are a lot less competent than they think. And in the final chapter (excerpted here), I offer policy and other ideas that might enable America to avoid those fates.

That chapter (from which this essay is adapted) culminated with a proposal now being talked about widely, namely, to allow counties, cities, and towns unhappy with their current state government to join another. This would be a practical, and practicable, way to ease Blue and Red Americans’ present discontent and exasperation with each other.

There are precedents. The counties that became Maine split from Massachusetts in 1820, and—more famously—those that became West Virginia left Virginia during the Civil War. Fittingly, when I wrote the chapter, West Virginia had generously offered to welcome western Virginia counties unhappy with rule from newly, aggressively Blue Richmond. Today, a year later, West Virginia’s governor says the offer still stands.

There are similar movements throughout the country—most, though not all, driven by disaffected Reds. The most recent, news-making example was five Oregon counties joining two others in voting to leave the Beaver State and become part of Idaho.

So far nothing has come of any of this. But why shouldn’t these efforts be allowed to proceed if both the welcoming state and the exiting counties want it? Wouldn’t that be “democracy”?

…

Classical philosophers and historians alike condemn democracy as a bad form of government, in part because of its partiality but mostly because of the specific nature of the demos, which they contend is the polis’s least wise and least moderate part.

I would here add that it’s both sad and hilarious to see classically-trained academics and intellectuals bleat on about the sanctity of “democracy.” The worst offenders are the Straussians, who really should know better. Haven’t we all read Republic VIII and Politics VI, to say nothing of the warnings from Strauss himself on the dangers and shortcomings of democracy? Their failure as analysts is worse. The present American regime that they celebrate as “our democracy” is all but identical to classical oligarchy (discussed in those same books) while the “populism” that gives them the vapors is much closer to the democracy they claim to revere. But even more embarrassing, the Straussians’ central boast is to stand above, in Olympian detachment and even disdain, all regime pieties and see through them as self-serving rationalizations. Yet when extolling “democracy,” they sound no different than an Assistant Secretary of State, foundation president, or CNN host.

…

States such as California, Colorado, Illinois, New York, and now Virginia are utterly dominated by one party, and often one city, which amounts to the same thing. This is how Virginia—cradle of the American Revolution and home to four of our first five presidents—suddenly, just like that, became implacably hostile to the first two amendments to the United States Constitution. Five cities and counties, three adjacent to Washington, D.C., essentially dictate to the other 128.

The uncomprehending angst of people who’ve lived the same way, in the same places, for generations suddenly finding themselves harassed by a hostile government—ostensibly “theirs”—is mocked by the ruling class as a lament over “lost privilege.” After Virginia flipped from purple to Blue in 2019, the state legislature immediately enacted draconian gun restrictions that flew in the face of centuries of tradition and peaceful practice. Too bad! You lost! That’s “democracy.” As Joel Kotkin has remarked, “The worst thing in the world to be is the Red part of a Blue state.”

We should not, however, give the powers-that-be too much credit for principled consistency. If and when popular majorities produce outcomes the rulers don’t like, their devotion to “democracy” instantly evaporates. Judges, administrative state agencies, private companies—whichever is most able in the moment to overturn the will of unruly voters—will intervene to restore ruling class diktats. On the other hand, when voters can be counted on to vote the right way, then voting becomes the necessary and sufficient step for sanctifying any political outcome. It doesn’t even matter where the votes (or voters) come from, so long as they vote the right way. The fact that they vote the right way is sufficient to justify and even ennoble their participation in “our democracy.”

Blues perpetually outvoting Reds and ruling unopposed: this, and only this, is what “democracy” means today.

Bad Faith Objections

Reds, increasingly, are catching on. They know the game is rigged, that they cannot win, and the veneer of their participation and consent is a sham.

This is why the gaslighting is being dialed up to the lumen levels of blue stars. Every objection to Blue despoilation is now openly ascribed to “white supremacy.” Don’t want to be late for work because regime-favored thugs “protesters” are illegally blocking an intersection? White supremacy! Object to being beaten on the streets? White supremacy! Want to see the laws enforced equally and impartially? White supremacy!

Obviously, nothing is more susceptible to this dread charge than calls for “secession.” Hence the entirely apples-to-oranges cases of redrawing state lines better to reflect residents’ preferences and interests will be—already is being—compared to the events of 1860-61.

…

Some opponents of Red attempts to leave Blue states will disingenuously point to Lincoln’s first inaugural address, the ne plus ultra anti-secession argument. But there Lincoln was talking about replacing ballots with bullets throughout a sovereign state—overturning not merely the outcome of one election but the form of government itself. The peaceful rearrangement of political and administrative boundaries within a sovereign state is an entirely different act, with far lesser—and less grave—consequences. Indeed, in the latter case the consequences may be entirely salutary: there is ample precedent in history and around the world of countries redrawing internal lines to suit shifts in population and interests.

Others will try to muddy the waters by facilely equating the peculiarly American use of the word “state” for our 50 regional governments with the far more common meaning of state as “sovereign and independent country.” Lincoln said secession was unlawful, unconstitutional, and immoral—but this hypocrite Anton who claims to be a Lincolnite is endorsing the very practice! The argument is false and will be offered in bad faith. If you wish to waste a moment of your time, which I don’t recommend, remind such liars that the anti-secessionist Lincoln not only supported but presided over the division of Virginia. The decisive point is that this proposal is here proffered for precisely Lincolnite reasons: to save the Union and keep the current territory and population of the United States together.

…

Article IV, Section 3 states that “no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.”

In the Maine and West Virginia cases, new states were formed, hence the legislatures of the original and prospective states, plus the Congress, had to consent. (In the case of Virginia, then in rebellion against the government of the United States, two competing state governments existed. The Unionist government, recognized by the federal government, voted to allow the separation.)

The Constitution is, however, silent on the question of transferring a county from one state to another. No doubt should rural Virginia counties seek to join Charleston, Richmond wouldn’t like it—all that lost tax revenue! Look how many fewer people to boss around! Fewer Electoral votes!

But, constitutionally speaking, the state government’s power to stop it would be dubious. As would, if we want to speculate along such lines, the means. It could, and almost certainly would, take the issue to federal court where, admittedly, any outcome is possible regardless of law, and any outcome favorable to Red interests extremely unlikely. There’s little question that a Blue state capital could easily join with the federal judiciary and the Biden administration to block any such action. That may or may not be “constitutional” as you and I understand the term, but we don’t rule.

Or suppose we interpret Article IV, Section 3 to mean that moving just one county from one state to another constitutes creating a “new state.” That makes things harder, but hardly impossible. It simply means that legislative victories would have to be won. That may seem impossible now; no empire ever seeks to become smaller. But, dare I say, the election of Donald Trump seemed impossible as late as 9 p.m. on November 3rd, 2016. Public opinion is changing fast. Reds, who’ve put up with a lot only to face repeated demands that they put up with even more, are getting fed up.

Not only do they get nothing but abuse from the political system, increasingly they don’t even get to talk. Any dissent against regime ideology is swiftly and ruthlessly censored on Blue media platforms, which is to say, all of them. Reds’ elected leaders (to the extent that they have any) are declared “domestic enemies” by the Speaker of the House. Blue wise men talk of “cleansing” Reds from the political system. Nils Gilman—a man who called for my death—declaimed that “These people need to be extirpated from politics.” To have no say and no voice, forever, means that one’s only option is exit.

It would be an act of magnanimity, and even self-interest, for a sufficient number of Blues to recognize Red concerns and let the state-county reorganization proceed. Right now, at least half of Red America feels trapped in an abusive marriage, endlessly told they’re worthless, racist, and evil—but also that under no circumstances may they even broach the topic of leaving. Stay and take your deserved punishment is Blue America’s constant message to Red, the political philosophy of Judge Smails: You’ll get nothing and like it.

Besides, as Blues never tire of reminding us, aren’t we Reds poor, weak, and dumb? Who wants such dross as fellow citizens? Imagine (say) Virginia’s glorious future without all those retrograde hicks getting in the way of NoVa’s progressive utopian vision.

If Blues cannot see their way to letting such peaceful means proceed as a way of improving civic harmony and extending the life of the republic, they’re placing a giant bet that they can, through sheer brute force, rule Reds forever. Can they? They’d also be admitting that, in New America, “democracy” just means Blues outvoting Reds, effectively nullifying their franchise.

…

It’s worth pointing out, in this context, the utter hypocrisy of Blues who cry “Jeff Davis!” at the mere suggestion of some rural counties in a Blue State seeking refuge with fellow Reds, which almost certainly would not change the composition of the Senate, but who blithely demand that D.C. and Puerto Rico be made states so the Democrats can get four extra Senators and (likely) four more Electoral votes.

[domesticangel]

ok ive been wanting to do an OC redraw/redesign for a while now and uh, well here it is !!! top is obv the revamp and bottom is these three’s original designs ,,, the bottom pic is 9 years old (holy smokes) so i made them during my middle school emo/scene phase when i was like 12 so thats why they're.........Like That lmao but left to right in both pics is jude, elliot, and skipper!!! this was? so fun honestly

ummm lots of info/backstory about them under the cut lol

so in the original pic/designs… if I remember correctly jude and skipper were in police academy training to be cops and elliot was some punk ass kid theyd end up seeing around a lot cause he was in and out of holding for Delinquent Things, and ofc they magically became friends. Im pretty sure they were all 16/17 when I first made them which makes no sense at all (teen cops??? Ok) but like when ur 12, teenagers are Practically Adults BUT none of that is Canon TM anymore. In their redesign they range from early to late 20’s; I usually peg jude around 26-27, elliot is probably 23-24, and skipper is 21.

jude was the very first oc I ever made so shes always had a special place in my heart… I started churning out rapid fire ocs when I was in middle school that id toss when I was bored with em but shes the one that always stuck around!! Shes been a big honkin lesbian ever since her conception, so id use her a lot to express BabyGay feelings I didn’t really know how else to process. design wise I kinda just simplified her look; I have no fucking clue why she used to have an eyepatch and cat ears (I mean, I do, its because I was a weeb) but I got rid of those along with the scene hair and gave her longer hair with more natural waves and some freckles from spending a lot of time in the sun. her gray eyes and hair were always kind of her signature, so those got to stay! She mostly just wears anything that’s easy enough to move around and get work done in; tank tops, loose long skirts, etc. think futch hippy. anyways jude is now just a simple plant witch who uses her skills and connection with the elements to run a modest local farm, and even though shes fairly content in her lifestyle, she wants nothing more than a gf/wife that she can work hard to give a good life to :3c shes a hopeless romantic and has a bad habit of falling a little bit in love with every woman she meets, but shes mad shy when it comes to flirting, so more often than not shes just a sweaty ball of pining and infatuation. Whenever shes feeling some type of way about a girl she either obsessively takes on projects around the farm or house to distract herself or rants to her plants about how shes too afraid to express her feelings. RIP useless lesbian jude. Anyway shes the oldest of the trio, so shes very protective of elliot and skipper in a mother hen kind of way. She gets embarrassed when she realizes shes lecturing them like a cranky old maid, but they secretly don’t really mind it and often come to her for general life advice. I think her sign would be Taurus :3c (and probably an air moon since she’s kind of a space cadet)

elliot was REALLY FUN to redesign bc I honestly just wanted him to look like one of those people who had a HUGE scene phase way back when and just… never completely grew out of it lmao so I gave him the two-tone mullet he deserves, grown out roots hes definitely not gonna bother to re-bleach and re-dye, and piercing scars under his lip from where he used to have some tacky ass snakebites that he probably had to take out to get a job or something lol. he couldn’t completely give up piercings though, so the labret and gauges got to stay. Dudes not COMPLETELY stuck in 2007, but he does still enjoy a lot of the OG emo/punk bands and the fantasy of making it big in his own band and touring the country in a fashionably clunky van. He doesn’t exactly have a band, but hes working on that. Hes halfway decent on vocals and a guitar so he spends a lot of time combing through the local college town he lives and works in in hopes of finding some people who’d wanna play some gigs with him. But in the mean time, he works as a barista in a local café, which usually hooks him up by letting him do some acoustic sets at night every now and again. Hes a very warm and upbeat person, and will happily engage and talk the ear off of anyone close enough for him to do so, stranger or otherwise. He also regularly reminds jude and skipper how much he loves both of them and how glad he is that theyre all friends; He doesn’t really have much in the way of embarrassment or apprehension when it comes to what hes feeling. Hes the official unofficial “plan-maker” of the friend group and is able to bring them all together for quality time, because hes not at all passive like jude or skipper, and… usually has the most free time out of all of them lol. elliot is pure Leo and that’s about all there is to that

And finally, congratulations to skipper, who against all odds, looked normal enough that I didn’t really have to change anything at all about his design! Just had to ditch the uniform for your typical Tired Gay mustard sweaters. Skipper is an English major in his sophomore year of college who, like most people in their 20’s in liberal arts programs, is desperately trying to figure out what he wants out of life and also doesn’t know what sleeping or self-care is. He really enjoys writing, but doesn’t really know if he wants to do it for a living or if he even could. He grew up with pretty cold and distant parents, so on top of knowing they don’t really approve of his major, he pretty much always operates under the assumption that if hes not working himself to death hes not justifying the space hes taking up or the air hes breathing. Emotionally speaking hes more emo than elliot will ever be and his blood is probably 75% caffeine. He having kind of a rough time tbh but hes gritting it out in hopes that things become more clear eventually. He’d be way worse off if he didn’t have jude or elliot, who hes more thankful for than he can ever bring himself to express. They were essentially his first real, close friends, and despite skipper being incapable of asking for help, they always seem to know when he needs someone to talk to or even just a brief distraction; Jude has an open door policy for her farm and will let him come over and cuddle some rabbits or sit and talk over tea on her porch whenever he needs to, and elliot cant remember the last time hes made skipper pay for anything he ordered from the café, or the last time he even had to ask skipper what he wanted. Because hes the youngest of the three its sometimes their instinct to protect him, which embarrasses skipper out of his mind, but he knows they mean well. Hes the physical embodiment of Just Doing His Best and is a stone cold Capricorn

They’re still besties but basically met just from living in the same town; jude and elliot met when jude started providing the café’s local roast from the coffee beans she grew on her farm so elliot saw her fairly regularly and of course was like Oh Friend? Jude always liked how forthcoming elliot was as it complimented her generally reserved nature, and elliot always thought living on a farm and growing your own food was pretty punk rock and therefore pretty dang cool in his book. They both got to know skipper because he came to the café every. single. day. to ingest ungodly amounts of espresso and study all day, and when elliot took an interest in skipper, jude suggested he invite him to one of his gigs since the poor guy kinda looked like he needed a break. Skipper initially kind of politely shot elliot down, but jude took a chance and found skipper later to tell him how much itd mean to elliot, and that if it made him feel better she’d go with him, since going to events like this was different for her too. skipper apprehensively agreed at that point, and the rest is history !!! they all kinda hit it off after that

tl;dr

[uniformbravo]

i kno its literally almost april but i didnt do this in january so heres some of my resolutions for this year bc better late than never???

1. i want to get! better at coloring!!

i’ve been working on a few pieces lately that are more involved than what i usually do, like things w/ composition & even simple backgrounds that i want to look nice, but in tackling these bigger projects i’ve come to realize that i have no idea what i’m doing w/ coloring so i want to! get better at that! 

specifically my digital coloring too like i think i’ve learned enough about color theory to hold my own with traditional supplies, and part of that is because i’m already given specific colors to work with in traditional, which helps to limit my options. but with digital art literally anything is possible and i find that i’m only able to make something look interesting when im already given a limited color palette. i want to be able to choose fun and interesting palettes on my own! so that’s something i’m gonna work on

but since it’s specifically my digital coloring im concerned with, that means my second mandatory resolution has to be:

2. figure out how to get back into digital art in a way that’s sustainable lol

im still dealing with my hand troubles which makes drawing digitally Very Hard but i don’t think it’s impossible?? last week i was drawing for like 3 or 4 days consecutively with no problems, i think it only started to become a problem when i started working on pieces for long periods of time w/o taking breaks, an unfortunate long-time habit of mine :/

so to tackle this resolution i think i’m gonna need to /really/ crack down on myself about taking breaks, like set timers and do stretches and shit, and then also i should make sure i’m not drawing every day for several days in a row, bc i think that weakens my daily stamina. so figuring out some kind of schedule is key i think!

3. finish At Least one of my fics!! and post it!!!

pretty self-explanatory!! this was one of my resolutions last year iirc and i didn’t manage it but i DID manage to actually write a lot more than i had been doing previously so i count it as a win!! this year i wanna take that progress and run with it and hopefully eventually have something to show for it! i know i Talk about my writing all the time but i feel like that’s all i’ve ever really done is TALK. so this year im hoping to FINALLY get something out there lol!!!!

also not exactly a requirement but if i could even do TWO fics that would be even better!! kind of want my goal to be two but if i only manage one it still counts as a win imo!

4. do one of my short comic ideas!

this kind of goes along the same lines as the last one but instead of a written fic it’s in the form of a comic! i have a couple ideas that have been rolling around in my head for a While now and i rly wanna get some actual practice in with comics this year so i want to try working on them! it would help improve both my drawing and writing skills and hopefully help me get a better handle on storytelling as it works through the comics medium, which is still v foreign to me! hopefully less foreign by the end of the year

ive said this before but i think doing studies by redrawing pages from some of my fave comics would be a big help in giving me a Feel for what it’s like to draw comics w/o having to start w/ a big scary blank slate so! one of my goals is to do some page redraws to help me feel better equipped to tackle this project

SO YEAH THATS IT i don’t wanna like overwhelm myself w/ too many goals for the year, i wanna feel like these are actually realistically achievable, u know? like, there are always other things i want to improve on like composition and backgrounds and stuff like that, but those are things i’m just gonna keep in the back of my mind as things to steadily improve on as i go- i’m not gonna tackle them specifically this time around. these four points are the Main Big Things i wanna work on rn so!! yeah!!! here we fuckin go!!!!!

[edelwary]

when you were first getting into art, what and how did you draw? (like did you just doodle ur masterpieces on pieces of paper and posted-notes or did you have a proper sketchbook) how did you find motivation? bc ive been trying to draw but I always get unmotivated and stop while still wanting to get better just by doing nothing.

REALLY LONG, LOTS OF ADVICES FOR ARTISTS : 

TL;DR ; skip to the HOW TO ACTUALLY FUCKING DRAW part bc i have a megaton of shit to say lol + The MOTIVATION part 

mmh… I’ll get into details with this one tbh bc it’s a long ass process ahah : 

I live by the sea ; when i was youung i used to draw TONS of boat, but like, dollhouse boats, you could see the insides and stuff ; i loved to add tiny details and stuff, and imbricate everything together !

around 8 or 9 yo, i went to the public library with school and discovered the wonderful world of mangas ! I basically… Copy pasted an entire Mermaid Melody tome x) 

For about 2 years i alternated between reading mangas and trying to copy them ! Then i just kept drawing in the margins of my schoolwork for about… 5 years ! I have a Fuck Ton of sketchbooks of that time, it was… The start. Lol. Never say it’s bad because it’s never bad, just not there yet !!

Around my 13 yo, i went every saturday, for two years, under a bookstore ; there was a cave, and drawing classes ; that teacher was mean and harsh and stuff, but like… Not really. He would take away my eraser for the class, force me to use pencil, to draw something else (bulky boys instead of magical girls). 

I’ve learned a lot, more in terms of How To LEARN to draw than to draw itself, but i still progressed a LOT !! 

Then i kept drawing by myself for a year and i really worked hard on it ; about hours a day, trying watercolors and stuff ; i have a real problem with colors in traditionnal art, but i’m much better with lines (i should scan some RAD stuff i made in the weekend, yall ive never done anything this good i stg i dont know why i always forget im so much better on paper) 

This gets us to my sweet 16 ; i have to year of advance, bc i got ‘’’promoted’’’ idk how to say it ; anyways, i entered my (current) animation school for the first year at 16; vERY IMPRESSIVE AND TERRIFYING. 

And i learned. A fuckmegaton. Of shit there. 

Now i’m going for my third year there and i can make photorealistic marmora blades and cyberkpunk decors if i want to and that’s rad, but here is

 HOW TO ACTUALLY FUCKING DRAW : 

I have one HYPER important advice, and i’m keeping it to heart since i’m like, 11 : Have. Sketchbooks. Please !!! It’s very important. Here’s why : 

You keep everything with you in one place. You have 1 sketchbook, it’s basically easy to take every where (a A5, or A4 are pretty easy to carry, i have like, 12 of those, and around 8 of A3) 

You keep track of what you’ve done. It’s super important, bc first you can cry of laughter at your old stuff bc its cute but not so good, and second, you can just be like ‘holy mama’ and see how much you’ve improved

It’s very important to be organized. I WORK in art, and trust me, if there’s something that i’ve learned this year through tears and missing files and bugs : Be. Impeccable. Now if it’s for fun, go a little loose, and just have a folder for art on your computer, and a sketchbook, no need to stress, but the better you try to keep a record of where is what, the better you’ll see whats wrong

Notebooks are friends !! You can draw, write, glue stuff, make notes, lists, everything !!! I have my life in those. It’s more important to me than any of my phones. 

Be proud of it. Like, not everything, duh ! But try to tell yourself than it’s like a RPG ; even if it’s only 2 xp here and there, one day you’ll beat level 40, and that’s super important : art is. Fuckin. Long.

I cant stress it enough. It’s soooo long !!! SO LONG !! it’s years. It’s like karate and fishing and ANYTHING. To be good at it, it takes time, but it WILL COME if you keep trying. There’s no secret passage. 

You’re gonna me it, believe in me who believes in you. 

Use. References. 

Coming from a little shit who’s got a really good visual memory, that can sound like bs, but i stg everything is always AT LEAST twice as good if you’ve used a visual support. 

I’m not saying COPY EVRYTHING (even though thats a good training) I’m saying, if you really want to do that asian tiger, please have at least two or three pictures of it nearby. Take photos of your hands, and stuff ! 

Make it harder. 

No eraser. 

Paint. 

I draw all my backgrounds on my sketchbook with INDIAN INK; no returns, no refunds. 

Ink, Ink, INK !! Don’t allow mistakes.

And if you make mistakes :

New page, restart

It’s okay

It’s for you

I once started back again a whole EXAM bc it was bad, i got one of my best grades 

You’ll improve and be more assured if you know you just have to DO IT. Trust me. It’s VISIBLE; if you can erase, you fidget and hesitate and ‘’kbeujebez hahhaaa idkkidsd’’ ; stop ; do it, and if you don’t like it ? Try again, there’s no time limit

Draw as large as you can 

There’s no interesting story here, it just helps. Bigger movement of the hand, more place for details, breathing lines

Thin lineart helps

Thinner. Make it even thinner

Break the rules, but not the ones that structure your art 

Big lineart ? Why not

Unfinished lines, vaporeous colors ? Pretty

Cubism is actually based on extensive and intense practice of classical art, it’s not wibbly wooblly ; the anatomy is more correct than you think 

Structure and composition are important, but so is movement and life ; choose your fighter ; mine is fluidity and fun, i’m like, a rogue/archer in drawing. Some people are dwarf fighter. That’s amazing and great. 

Don’t be afraid to do nothing

Pages and pages of my sketchbooks are actually just lance facing right and smiling, you know… 

Sometimes it just doesnt work : two ways :

Take a break, Kiki’s delivery service style

Keep trying, break your art until it obeys and comes back

Take breaks. Breath. 

Don’t compare. I do it, it doesn’t help at all. You’ll make it ; and if you compare, keep in mind that everyone’s different

I’m not gonna lie, it’s NOT easy, it’s even hard 

But I really, really think it’s worth it 

MOTIVATION :

My main bitch 

I’m always pumped for art because i can LITTERALLY NOT do anything else ; i love reading and writing and stuff but at the end of the day i just want !!! to draw !!!! aaaaaa-

Fall in love with it, and with the possibilities ; i have stories to tell, tell me yours ! Do your best, one day it WILL work

Actual advices : 

I have an inspiration blog where i just reblogs stuff i like to draw them later

Find a picture, copy it. Do it again. Change the characters (i have 2 ocs and Lance and Keith as default characters) in the pic. 

Like an artstyle ? Break it to its very core, analyse it, copy it, redo it, trace it and ABSORB it. Don’t copy/past, LEARN from your heroes.

Do what you like. I have 86578 pieces of voltron, this is not a coincidence. I have ENDLESS ideas for this show, wtf. 

Try new things. Buy indian ink im begging you. It’s so cool. 

Have a game with yourself, or a challenge. STICK TO IT. 

Study. When you’re bored, usually it’s because you’re stagnating. Make it harder or do hands until you cry. 

Love your backgrounds; make backgrounds, study trees, and tokyo streets, and venice’s bridges. Decor is just as cool as characters, if not more

Mess a little with everything. My roomate more than one found me stained from head to toes trying to DO STUFF 

Draw outfits. Draw what you want but can’t afford 

MAKE YOUR LIFE A COMIC. Remember those sketchbooks ? Make a comic a week/month/every full moon, whatever, and draw your life (mine’s the roomates au lol) 

Prompts blogs are cool too 

Make fanart of a fic you liked ; you have the characters and the pose already, you just have to illustrate ; double bonus, you probably will make a writer’s day, if not year !

That little movie that plays when you listen to your favorite song ? DRAW IT

Your favorite scene in your favorite movie ? Redraw each shot. On post it. Plus it looks awesome afterwards to have the infamous TREX scene of Jurassic Parks in post it

Get bored. That’s inevitable. Dance, scream, get back to it. Walk, draw everything you see. 

Make a paper google map street view : Take a walk : every 50 meters, draw what is in front of you. 

Snapchats your friends. Draw their snapchats when they answer 

Draw maps. Invent places. Invent bikes, and hovercrafts, and monsters. Make your everyday inventory. Make your life a video game, and do the concept arts of it. 

FETCH your inspiration. I have approx. 20 artbooks, full of drawings and concept arts of my fave movies/games ; take what you like and add it to the story you have since you’re 8. We all have one. 

Ask for it ; your sis, your mom, me even ! If you dont have ideas, someone will have them. 

WELL i’m gonna stop there, even though i got like, 9864567 more to say, but with this you should be fine ! Anon, i’m rooting for you ! we all start somewhere, just hold on!!!! 

[mrfutureboy]

I would like to know when you started drawing and where your passion for fanart started 😊

Oh FUCK dude i did not see this i’m so fucking sorry this is so late 😭 damn you, tumblr, for not fucking notifying me!! Anyway buckle up this is gonna be much longer than you asked for <3

Honestly ive kinda been drawing all my life! I hope that doesnt sound dumb cuz obviously almost everyone drew pictures when they were kids, but i know that it’s been a consistent hobby for me since i was little. By the time i was in 3rd grade I was hoarding notebooks to draw in. Cuz that’s something fun about me: i had a real huge habit of drawing in things that werent sketchbooks. Through middle school and beyond I did buy/receive sketchbooks, but I started out with various kinds of notebooks. One I had from like 2nd grade was like a hardcover, stationary-type notebook that I drew cats in lol, and I have 2 velvet lisa frank notebooks from 3rd grade. In high school and college I had a really bad habit of drawing in the margins on my notes and on handouts the teacher/professor would give. Those classes where the prof just prints out all the notes beforehand and gives them to you to follow along? Oh man, I spent so many classes barely listening while I drew on them! I also used to draw on my physics homework and tests and sometimes I even got extra credit for them (thank you jeff :D). I actually have a folder of various drawings I’ve kept from that 8yr time period and a lot of them are on classwork 😂

Obviously, I’ve been doing a lot of digital art lately, which I’m sure is what u were more curious about rather than the shit about drawing on my homework. I got a surface pro as a graduation gift in 2016 bc prior to that i had a wacom tablet and a janky ass laptop, so the gift was kinda a 2-in-1: i can do schoolwork AND art easily! i like digital art a lot and honestly im still learning new things abt it every time i draw. I use Leonardo currently (i’ll skip that story) but I started out doing digital art on sketchfu WITHOUT the wacom tablet in maaaaybe 2012??? 2011??? does anyone on this site remember sketchfu? Honestly couldnt even tell u how i found that site hahah the internet was just full of wonders back in the day. RIP sketchfu. Once i got the tablet tho some time later i used sketchfu still (i think) but also gimp and krita i believe.

Oh i suppose I should mention that i took art all four years of highschool and also minored in it in college! So it’s something i did academically as well as for fun. I keep thinking about going to art school for realsies but idk. I’m already $$$ in debt from my first degree i dont feel like adding to that 😅😓

Ok now for the second part of your question: I’ve also pretty much always done fan art! Ive never really been one for OC’s, EXCEPT for the self-insert superhero double life “comics” i wrote about a poodle named Sassy when i was in third grade. And then the knock off “comics” i wrote at a later time which honestly it was weird that i did a knock off of my own thing rather than just adding them to the original or making it a spin off with at least one of the og characters. Cuz it wasnt a spin off!! But anyway there wasnt really much to any of these characters; i just needed vessels to get my weird ideas out.

So anyway yeah most of what ive ever drawn has been fan art or self portraits, because its just easier for me to take characters that already exist and bend them to my will (artistically). Well excluding art assignments in school i guess because i would usually have to draw something specific and therefore not something self indulgent. But yeah ive drawn for lots of fandoms like the earliest i remember is warrior cats. Then theres things like pokemon and warriors and random other books i read thru middle school (i used to read a LOT but now im practically illiterate); spn, sherlock, and marvel through high school; and then marvel and bttf thru the end of hs and beyond. Idk i also have always loved looking at other peoples fan art and so im like “shit i wanna do that too!”. Tho i will say marvel was my biggest fandom and the one i had the longest interest in, so that was probably where the passion REALLY came from cuz I was drawing marvel stuff for such a long time (tho not posting shdjsk u have to trust me), but ive been doing fan art forever :)

(Of course, a lot of the fan art i was making prior to recently was drawn in lined notebooks or on homework sheets or what have you, and I wasn’t posting really any of it, but i was still making it and a good chunk of it still exists. Oh i should also mention most of it was with pencils or ballpoint pens like i wasnt doing anything too fancy. There was some digital art in the highschool-college time frame but it also really wasnt…much. Honestly i barely posted any of it here but I know some of it’s on deviantart)

I cant pinpoint the exact time I started getting more “serious” about my art in general, but i know the first pandemic lockdown gave me more free time and i was less stressed about schoolwork so i just kinda had a good outlet. (Tho i will say that prior, I had been in a life drawing club for a short while, and i had also been working on a personal sketchbook project that had me pretty ~inspired~ to do art. Also i watched twin peaks around this time and it inspired a lot of Feelings and i was making funky collages and other art pieced that were sometimes related to that. Some of those are on deviantart)

Honestly I think the Big thing with my digital art was coincidentally getting back into BTTF the summer of the 35th anniversary bc the fandom here was THRIVING and i was like “oh shit wait i want to contribute!” But as i kept drawing i kept wanting to improve and that leads us to right now where im constantly trying new things (whether subtle or obvious) and challenging myself to do full body drawings with different poses, and doing screencap redraws and what have you for various reasons (backgrounds, proportions, pose, etc)

So yeah :) Basically I’ve been doing fan art forever (I didnt even get into all the mediums ive tried but that’s another conversation bc this is already so long and convoluted) and it’s kinda coincidental that ive suddenly really gotten back into it and have improved dramatically in such a short time. Thank you so much @rovermcfly for the ask and again im really sorry you had to wait so long for a response! Stupid tumblr